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Publications

Select Higher Education Publications

“How to Leave (A Legacy),” The Presidency (Summer 2014), pp. 22–23.

“The Intercultural Connection: Students and the Liberal Arts,” in Remaking College: Innovation and the Liberal Arts, Rebecca Chopp, Susan Frost, Daniel H. Weiss, Editors. Johns Hopkins University Press: 2013 (pp. 180–185).

“Entrepreneurial Spirit Required,” Berklee Today: Spring 2013.

“Fluency Across the Boundaries:  A Case for Liberal Education in the 21st Century,” The Presidency (Winter 2011), pp. 16–21.

“Strategic Growth for Challenging Times.” Leadership in the Great Recession, 2009/2010 Presidential Perspectives Series published by Aramark Higher Education, Chapter 5, pp. 1–5.

“My Unintentional Road to the Presidency,” Special Supplement to The Presidency (Winter 2008), page 17.

“Spiraling Through the Glass Ceiling: Seven Critical Lessons for Negotiating a Leadership Position in Higher Education,” Liberal Education, Vol. 92, No. 3 (Summer 2006), pp. 14–21.

"An Ear for Leadership," The Chronicle of Higher Education, Vol. 51, Issue 17 (December 2004), page B5.

Select Academic Publications

“CMA Notes,” Presidential columns for Chamber Music: Vol. 13,  No. 4 (1996); Vol. 14, Nos. 1 & 4 (1997); Vol. 15, No. 5 (1998); and Vol. 16, No. 4 (1999).

“The Chamber Music of African-American Composers,” American String Teacher, Vol. 45, No.4 (Fall 1995): pp. 71–73.          

“The Impact of Primary Change Agents: Transforming the Music Curriculum,” Proceedings of the 68th Annual Meeting of the National Association of Schools of Music, June 1993: pp. 6–12.

“All in One System Case Study: Erika," Proceedings of The 67th Annual Meeting of the National Association of Schools of Music, June, 1992: pp. 39–43.

“Valuing Cultural Diversity in the Arts,” in Toward the End of the Century: Cross-Cultural and Minority Perspectives, CMS Report No. 8: 1993, pp. 37–41.

“Music Alive 1990!: Chamber Music of African-American Composers,” Chamber Music, VIII (Spring 1991): pp. 22–25; 59.

“As Long as There is a Dream: Aspects of the Cultural Memory of African Slaves,” Commemorative Program for the National Black Arts Festival 1990, pp. 35–36.

“Some Aspects of Cello Technique for the Violinist," National School Orchestra Association Bulletin, XXVIII/4 (June 1986): page 5.

Reviews of cello music, American String Teacher, XXXV/4 (Autumn 1985): page 86.

Three articles for Symphony Orchestras of the United States: Selected Profiles (Greenwood Press), 1986: pp. 284–287; 290–292.

“From the Nest Egg to the Frying Pan: Beethoven and the Schuppanzigh Quartet,” Chamber Music Quarterly (Fall 1983): 17–21.

“Cellos Equal Rowell” The 1983 Margaret Rowell Cello Workshop, American String Teacher, XXXIII/4 (Fall 1983): pp. 21–22.

“Beethoven and the Schuppanzigh Quartet,” String Vibrations, X/3 (May 1983): pp. 23–33.

“Report: The 1982 Margaret Rowell Cello Workshop,” North Carolina ASTA Newsletter, 9/2 (February 1983): page 5.